A Passage to India (1984)

 

Director: David Lean
Original Music by Maurice Jarre
Cinematography by Ernest Day
Film Editing by David Lean
Production Design by John Box Herbert Westbrook (uncredited)
Optical Effects by Peerless Camera Company: Kent Houston / Robin Browne
Matte painting: Peter Chiang

Thanks to Kent Houston for his comments for the optical work made at Peerless Camera:
“In shot one the building, sea and land were separate elements- the “gateway” was either a miniature or painting- I can’t remember which.”

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“This shot is entirely from artwork. No live action elements.”

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“The night city view might be a matte painting but it doesn’t look like one of our shots.”

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“There is a nice painting of the Malabar caves location to make them hang over more and make them look threatening.” (left upper part)

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“The shots of the ship at the docks is an optical composite”

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“The domes I don’t recall what the elements were (probably miniatures), but it was also a composite, and so is the other shot of the train.”

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“Clouds and moon too are composites. Peter Chiang painted the moon.”

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